<p>Why is it that the mingling of fact and fabrication in our civic life fills us with vertigo and dread while the same thing in a work of imaginative literature can be the source of mysterious exhilaration?&nbsp; Beats me. But suppose that Roberto Bola&ntilde;o had written a sort of disheveled novel about an apocryphal writer called Vladimir Nadal fellow-traveler of various late-twentieth-century avant-gardes. Then suppose that this same apocryphal writer had taken a deep dive into the real life and writings of the Surrealist Benjamin P&eacute;ret and had returned with a double-handful of P&eacute;ret-centric material some authentic some not. Then stop supposing and read El Misterio Nadal which is all that and more. Whoever &ldquo;A.B.&rdquo; supposed translator of this dossier might be he has given us in the mysterious Nadal a figure worthy to join the company of Ern Malley John Shade Araki Yasusada and other illustrious non-existents.</p><p>&nbsp;&nbsp;&nbsp;&nbsp; Brian McHale</p><p>&nbsp;&nbsp;&nbsp;&nbsp; Author of The Cambridge Introduction to Postmodernism</p>
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