For lovers of music and poetry the legendary figure of Orpheus probably suggests a romantic ideal. But for the Renaissance he is essentially a political figure. Dealing with plays poems songs and the iconography of musical instruments Robin Headlam Wells reexamines the myth central to the Orpheus story of the civilizing power of music and poetry. In doing so he acknowledges a debt to the New Historicism and its recovery of political meanings that traditional historical scholarship has sometimes been guilty of obscuring. But he is also critical of certain faulty premises in New Historicist criticism that have led to some radical misinterpretations of the period.
Piracy-free
Assured Quality
Secure Transactions
Delivery Options
Please enter pincode to check delivery time.
*COD & Shipping Charges may apply on certain items.