Excerpt from England in the Seven Years War Vol. 1 of 2: A Study in Combined Strategy<br><br>IN the following pages an attempt has been made to present Pitt''s War as it was seen and felt by the men who were concerned with its direction. In every Chancellery in Europe as well as in our own Cabinet this part of the widespread Seven Years'' War was always spoken of as the Maritime War and it would seem that no useful apprehension of the way in which it was conducted can be attained unless it be approached from the naval side rather than from the military as is more commonly done. The Continental theatre of the war proved so rich in brilliant actions - at sea they were so few - that this aspect of the struggle so fertile in instruction for ourselves has come to be somewhat unduly obscured. It is true that as an example of the trite doctrine of the in?uence of sea power we know it well enough. But it is not there that its living value ends. For the actual strategical use of the ?eet and for the principles and even the practice of amphibious war fare it is as luminously informing as in their own special sphere are the subordinate campaigns of Frederick the Great. By this of course it is not meant that the share which the army so abundantly contributed to the result should be neglected or minimised but only that for a right consideration of the war the army must be regarded primarily as forming an integral part of the maritime force with which it was carried on.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work preserving the original format whilst repairing imperfections present in the aged copy. In rare cases an imperfection in the original such as a blemish or missing page may be replicated in our edition. We do however repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
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