Etymological Dictionary of the French Language (Classic Reprint)

Excerpt from An Etymological Dictionary of the French Language<br><br>These three works give us all the philological discoveries made during the last thirty years in the French language; and the chasm which separates them from the dreams of Ménage and Roquefort can only be compared to that which lies between the chemistry of Lavoisier and the reveries of Raymond Lulli or Van Helmont. It may there fore seem needless to wish to swell the catalogue with a new philo logical Dictionary; but still I have decided on writing this book; for there is a blank to be filled up. In scientific subjects there is always room for two kinds of books - those which teach established scientific knowledge and transmit our learned acquisitions in a collective form and those which leave former discoveries alone in order to at tempt new research to work out the solution or the discussion of problems hitherto untouched. Thus in zoology a treatise intended for the general public would be silent as to all doubtful or unsettled questions (such as the origin of species or the like) and would occupy itself solely with the minute proof of established truths: but if on the other hand the treatise were addressed to the narrower class of professed naturalists it would be satisfied with simply stating known facts (assuming their proof to be known by the reader) and would set itself specially to elucidate by new observations or hypotheses those problems which were yet uncertain.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work preserving the original format whilst repairing imperfections present in the aged copy. In rare cases an imperfection in the original such as a blemish or missing page may be replicated in our edition. We do however repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.