The contributors bring to bear an unrivaled enthusiasm and theoretical sweep on the entire Hitchcock oeuvre analyzing movies such as <i>Rear Window</i> and <i>Psycho</i>. Starting from the premise that ‘everything has meaning’ the authors examine the films’ ostensible narrative content and formal procedures to discover a rich proliferation of hidden ideological and psychic mechanisms. But Hitchcock is also a bait to lure the reader into a serious Marxist and Lacanian exploration of the construction of meaning.An extraordinary landmark in Hitchcock studies this new edition features a brand-new essay by philosopher Slavoj Žižek presenter of Sophie Fiennes’s three-part documentary <i>The Pervert’s Guide to Cinema</i>.
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