Fabianism and Fabianist Morals in G.B. Shaw's Widowers' Houses Arms and the Man and The Devil's Disciple

Seminar paper from the year 2007 in the subject Didactics for the subject English - Literature Works grade: 13 University of Heidelberg (Anglistisches Seminar) course: PS II Literaturwissenschaft - Shaws Frhe Dramen language: English abstract: This essay shall aim at portraying Shaw''s Fabian thought and morality in his early plays i.e. Widowers'' Houses Arms and the Man and The Devil''s Disciple. Such a task automatically renders the essay no more than an attempt at finding traces for there are no socialists in the plays mentioned. Instead socialist thought is conveyed implicitly i.e. by means of the plot by method of showing or by confronting a Victorian theatre audience with realities they would only too well like to ignore. Widower''s Houses is a good case in point: it is highly unlikely any tenants living in the sort of substandard accommodation portrayed in the play could afford a night out in Covent Garden and it is equally unlikely the theatre-going audience would ever bother to visit them in their rundown houses. Consequently Shaw forced the reality upon the audience and explicitly tried to use drama as a means of propaganda (Grene: 1987: 15 and 3). However here one could critically add that Shaw - like most Fabians - had as little contact with the working class as those he criticised for the same reasons (Ballay 1980: 237). I shall focus on Widowers'' Houses Arms and the Man and The Devil''s Disciple for reasons I will explain in the conclusion. The essay follows a hypothesis which is as written above: Shaw forced upon his audience realities they would like to ignore and he wished to radicalise his audience (Gahan: 13). The second assumption this essay follows is that morality is as much part of Fabianism as politics are. In his economic and political writings Shaw made a strong connection between economics and morality (Griffith: 29f.). His opposition to capitalism rooted very much in the fact that he rejected it morally. Hence acco