Faceless Gods (Vol. 2) : Second Edition

Faceless Gods is a long story, slowly moving like a broad river in its journey through the plains. One may feel that the work has very sharp political connotations. But I would like to clarify that while espousing the cause of clean politics—which is almost a utopian dream—I have taken, without harboring any ill-will against any specific political ideology, very dagger-sharp cuts at certain political forces whose brand of politicking results in reversing the basic meaning and essence of religion. One of the characters is a beautiful girl named Chakori, a banjara girl. Through the trials and tribulations of her beautiful path through the society of the settlers, I have tried to depict how these almost stateless, religionless people come into friction with the sedentary society to create sometimes ecstatic and oftentimes tragic episodes. She smiles like a lotus in the perilous waters of a muddy pond. The chief protagonist is a lame Hindu priest. The villainy of a character is no slave to anyone’s religion and belief system. We have our own inherent system that moulds us in a particular cast. But we have to accept that there are reasons for one’s gray character shades. Heartily mixed up in the silent pace of the tale is an old Muslim fisherman. The silently brooding—and expertly following the principles of humanism—frail man plays a far weightier role in the tale with his effortless maneuvers inspired by a heart lit by the unsung lore of true humanity.