The father is an enduring and iconic figure in Hollywood cinema and in the 1990s narratives of redemptive fatherhood featured prominently in some of the decade's most popular films like <i>Kindergarten Cop</i>(1990) <i>Mrs Doubtfire</i>(1993) <i>Jurassic Park</i> (1993) and <i>The Lion King</i>(1994). Interpreting such films through the lens of feminist and queer theory along with masculinity studies and psychoanalysis Katie Barnett offers an insightful and interdisciplinary discussion of cinematic fathers.<br/>Barnett reveals that the father figure is often portrayed as one that invests in and is part of a discourse of reproductive futurism. This plays out across a range of genres including rom-coms fantasy sci-fi drama and disaster. By exploring both blockbuster and more low-budget films of the 1990s Barnett explores the figure of the father against the crisis of masculinity in the United States and indeed more globally at this time.
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