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About The Book
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<p>What explains the popularity and widespread appeal of numerous post-Yugoslav feminist and LGBTQ+ festivals in the last decade? This book argues that the millennial generation expresses reparative politics as a distinct type of activism through festivals.</p><p>Reparative political acting as identified here characteristically relies on playfulness and creativity interpretative (gender) dissent acceptance of organizational and programmatic messiness and hybridity belonging and positive affect. The reparative politics is vital in a context that is marked by an individual and collective trauma of heteropatriarchy violent breakdown of the common state and post-transitional economic precarity. The book uses excerpts from programs interviews and observations collected through the multi-sited ethnographic research. Siro?i?’s focus on contemporary activism in Southeastern Europe challenges the narrow geopolitical understanding of the recent feminist politics and refutes the common assumptions of a passive millennial generation. Yet the book’s relevance surpasses its area of study as it argues against the popular deriding of artivist expressions as the merely cultural or merely aesthetic engagement. In contrast the book claims that such activities urge a redefined understanding of political agency.</p><p><i>Festivals as Reparative Politics</i> demonstrates that contemporary feminist festivals represent a distinct reformulation of contentious politics of gender whose constitutive principles can be exemplary for other types of political engagements.</p>