Fictionality and Multimodal Narratives

<p><em>Fictionality and Multimodal Narratives</em> interrogates the multimodal relationship between fictionality and factuality. The contemporary discussion about fictionality coincides with an increase in anxiety regarding the categories of fact and fiction in popular culture and global media. Today's media-saturated historical moment and political climate give a sense of urgency to the concept of fictionality distinct from fiction specifically in relation to modes and media of discourse. </p><p> Torsa Ghosal and Alison Gibbons explicitly interrogate the relationship of fictionality with multimodal strategies of narrative construction in the present media ecology. Contributors consider the ways narrative structures their reception and their theoretical frameworks in narratology are influenced and changed by media composition--particularly new media. By accounting for the relationship of multimodal composition with the ontological complexity of narrative worlds <em>Fictionality and Multimodal Narratives</em> fills a critical gap in contemporary narratology--the discipline that has to date contributed most to the conceptualization of fictionality.</p><p><br></p><p><strong>Torsa Ghosal</strong> is an assistant professor of English at California State University Sacramento. She is the author of <em>Out of Mind: Mode Mediation and Cognition in Twenty-First-Century Narrative</em>. <strong>Alison Gibbons</strong> is a reader in contemporary stylistics at Sheffield Hallam University in the UK. She is the author of <em>Multimodality Cognition and Experimental Literature</em> and the coeditor of several books including <em>Metamodernism: Historicity Affect and Depth after Postmodernism</em>.</p>