<p>In Flannery O&#39;Connor&#39;s Dark Comedies Carol Shloss moves from biographical thematic and theological approaches and instead focuses her criticism on the successes and failures of O&#39;Connor as a rhetorician.<br />This valuable study of O&#39;Connor&#39;s style uses reader-response theory to dissect the author&#39;s use of hyperbole distortion allusion analogy the dramatization of extreme religious experience the manipulation of judgment through narrative voice and direct address to the reader.<br />Schloss aims to return Flannery O&#39;Connor to her readers on fathomable terms to offer a rhetorical rather than theological perspective from which to understand the country preachers square-jawed farm wives wise rubes foolish intellectuals huckster Bible salesmen killers and other &quot;good country people&quot; who populate O&#39;Connor&#39;s fiction.</p>
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