<p><em>Formal Shamanic Conduct: Zonal Installations in Supernatural Space</em> stages an indisciplinary practice via non-standard deployment of set-theoretic and anthropologic artefacts as they are brought to bear upon two propositions: that The human is an animal and that The animal is a human. In the first place the propositions are treated to set-theoretic modelisation whose expressive products offer pliant materials for subsequent conceptual engineering. Ultimately this text is concerned with exploring prospects for a formal shamanism/shamanic formalism across three experimental installations. The first installation articulates a skeletal architecture for the self-denomination of a particular kind of being as human. The second installation captures a process through which different kinds of animals become different kinds of human. The third installation details an encounter with a being who would like to assemble themself out of animal and human elements.</p><p><br></p>
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