<p><em>Fragmentation and Volta</em> by Paul Ilechko is a carefully formulated book with a structure that is more architectural than conceptual. One part of the book (the fragmentation) is composed of sets of minimalist prose poems all of which were inspired by a close reading of the works of the great British poet Ken Smith. Beginning with ... imagine a living creature turned to stone&nbsp;&nbsp;&nbsp;&nbsp;cold blood and raw meat enclosed in shells made of chitin the fragments traverse a spectral world of wilderness and near silence before ending up where ...the train accelerated through the tunnel and crossed the international border&nbsp;&nbsp;&nbsp;&nbsp;slicing through the pressure of dead air</p><p></p><p>The other half of the book (the volta) is composed of four crowns of modern sonnets which address a wide range of topics including art love and natural disasters. Working people appear sprawled across the stubbled field&nbsp;&nbsp;&nbsp;&nbsp;pale as church light in the late afternoon. Fires are burning flames swelling like an ocean of narrative&nbsp;&nbsp;&nbsp;&nbsp;Cy Twombly flower-kissed in orange and red. A natural disaster of epic proportions occurs leaving behind its predictable catastrophe&nbsp;&nbsp;&nbsp;&nbsp;fields of rotten items&nbsp;&nbsp;&nbsp;&nbsp;mud-soaked and stinking of despair. But there is a light ahead as it's evening in the city now&nbsp;&nbsp;&nbsp;&nbsp;time moves faster there&nbsp;&nbsp;&nbsp;&nbsp;the sky is a canvas for the towers to shine against.</p><p></p><p>These two components the hallucinatory prose fragments and the sonnets are interwoven braided together to form an intricate whole that is greater than the sum of its parts. </p>
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