Further on Nothing

<p><b>A new encounter with the work of a master of avant-garde theatre</b></p> <p>Tadeusz Kantor (1915-1990) was one of the twentieth century's most innovative visual artists stage directors and theoreticians. His theatre productions and manifestos challenged the conventions of creating art in post-World War II culture and expanded the boundaries of Dada surrealist Constructivist and happening theatre forms. Kantor's most widely known productions-<i>The Dead Class</i> (1975) <i>Wielopole Wielopole</i> (1980) <i>Let the Artists Die</i> (1985) and <i>Today Is My Birthday</i> (1990)-have had a profound impact on playwrights and artists who continue today to engage with his radical theatre.</p> In <i>Further on Nothing</i> Michal Kobialka explores Kantor's theatre practice from the critical perspective of current debates about representation memory and history. He pursues the intriguing proposition that Kantor gave material form to a theatre practice that defined the very mode of postmodern operation and that many of its theoretical notions are still in circulation. According to Kobialka Kantor's theatre still offers an answer to reality rather than a portrayal of a utopian alternative. <i>Further on Nothing</i> includes new translations of Kantor's work presented in conversation with Kobialka's own theoretical analyses to show us a Kantor who continues to offer-and deliver on-the promise of the avant-garde.