George R.R. Martin and the Fantasy Form

<p>Using the frameworks of literary theory relevant to modern fantasy Dr. Joseph Young undertakes a compelling examination of George R. R. Martin’s <i>A Song of Ice and Fire</i> and his employment of the structural demands and thematic aptitudes of his chosen genre. Examining Martin’s approaches to his obligations and licenses as a fantasist Young persuasively argues that the power of <i>A Song of Ice and Fire</i> derives not from Martin’s abandonment of genre convention as is sometimes asserted but from his ability to employ those conventions in ways that further rather than constrain his authorial program.</p><p></p><p>Written in clear and accessible prose <i>George R. R. Martin and the Fantasy Form</i> is a timely work which encourages a reassessment of Martin and his approach to his most famous novels. This is an important work for both students and critics of Martin’s work and argues for a reading of <i>A Song of Ice and Fire</i> as a wide-ranging example of what modern fantasy can accomplish when employed with an eye to its capabilities and purpose.</p>