<p>Since the signing of the Good Friday Agreement in 1998 - the formal end-point of the thirty-year modern 'Troubles' - contemporary visual artists have offered diverse responses to post-conflict circumstances in Northern Ireland. In <i>Ghost-Haunted Land</i> - the first book-length examination of post-Troubles contemporary art - Declan Long highlights artists who have reflected on the ongoing anxieties of aftermath. <br><br>This wide-ranging study addresses developments in video photography painting sculpture performance and more offering detailed analyses of key works by artists based in Ireland and beyond - including 2014 Turner Prize winner Duncan Campbell and internationally acclaimed filmmaker and photographer Willie Doherty. 'Post-Troubles' contemporary art is discussed in the context of both local transformations and global operations - and many of the main points of reference in the book come from broader debates about the place and purpose of contemporary art in today's world.</p>
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