<P>John Corry&rsquo;s chronicle of the Murrays and the McDonnells is the quintessential story of a successful Irish American clan&mdash;perhaps <I>the </I>most successful in sheer numbers and influence. Thomas E. Murray the patriarch was born in 1860 in Albany New York. At his death in 1929 he left $9 million eight children forty-eight grandchildren and a record of industrial accomplishment ranging from 1110 patented inventions to the consolidation of Con Edison. His faith never left him. </P><P>Murray&rsquo;s children the &ldquo;lace curtain&rdquo; generation nurtured increased and occasionally squandered the new wealth made feudal marriages with the offspring of other Irish climbers built great houses on Fifth Avenue and the shore and a tight exclusive society upon the twin rocks of Catholicism and respectability. </P><P>A third generation was raised in the great houses convent schools and the Southampton &ldquo;compound&rdquo; (prototype for the <I>parvenu </I>Kennedys&rsquo; in Hyannis). Their inevitable entry into secular society found them ill-prepared: marriages with a Ford and Vanderbilt ended in failure. The most recent crop of Murray-McDonnells moves in St. Tropez and St. Mortiz scenes of the celebrated Charlotte Food&ndash;Starvos Niarchos liaison. The author remarks and regrets the loss-through-assimilation of what was distinctively Irish in this and other great families closing with a memorable firsthand portrait of the indomitable Anna Murray McDonnell. </P><P>Corry&rsquo;s history of the &ldquo;golden clan&rdquo; is set against the larger context of the Irish experience in America: tales of Colonial grandees and early nineteenth-century &ldquo;fashionables&rdquo;; how the historic emigrations radically changed the nation&rsquo;s perception of the Irish; how families like the Murrays and the McDonnells came by their values and passed them on; fascinating details of the relationship between the rich Irish and their clergy. Writing with their proper shade of a lilt John Corry offers a fond and discerning view of a great American Irish family that &ldquo;arrived&rdquo;&mdash; and never looked back.</P><P></P>
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