<p>Gyorgy Kurtag (b. 1926) is widely regarded as one of the foremost composers in the second half of the twentieth century and the early twenty-first. Born in Romania he received crucial training in Paris from Olivier Messiaen and Marianne Stein. He was also shaped by his broadening contact there with the music of Webern and such challenging literary works as the plays of Samuel Beckett. After many years in Hungary teaching at the Budapest Academy of Music Kurtag settled near Bordeaux with his wife Marta. The two regularly perform duo-recitals of his music. In 2006 his . . . concertante . . . (2003 for violin viola and orchestra) won the coveted Grawemeyer Award for Music Composition. This unique set of interviews with Kurtag alone or with his wife gives a fascinating insight into the composer&#39;s personality which is marked by shyness but also an unquenchable thirst for impressions of every kind (artistic natural and human). The two speak with disarming openness about their lives -- the background against which masterpieces like Messages of the Late Miss R. V. Troussova (1976-80 for soprano and chamber orchestra) or Stele (1994 for orchestra) were written. The analysis of certain of Kurtag&#39;s works especially of . . . concertante . . . shows the way that his mind works: no system no dogma no formulae -- rather basic human emotions expressed through means that speak directly to the listener&#39;s innermost feelings. The Hungarian music publisher Balint Andras Varga has spent nearly forty years working for and with composers. He has published several books including extensive interviews with Lutoslawski Berio and Xenakis.</p>
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