<p>Whether embracing the silky essence of Kay Francis in <em>Trouble in Paradise</em> (1932) or enduring the machinations of Bette Davis in <em>The Little Foxes</em> (1941) Herbert Marshall was the essence of smooth masculine sensitivity.&nbsp; Dietrich Garbo Shearer Stanwyck and Hepburn eagerly awaited to be as Shearer put it &ldquo;so thoroughly and convincingly loved&rdquo; on screen.</p><p>&nbsp;</p><p>While many knew that Marshall had lost a leg in WWI he preferred audiences to concentrate on his acting. Even so he volunteered hundreds of hours to hospitals encouraging amputees during WWII.</p><p>&nbsp;</p><p>His legacy as a versatile actor and morale booster is as compelling as it is complicated. &ldquo;Marshall&rsquo;s personal story&rdquo; noted the late Robert Osborne &ldquo;is a fascinating one.&rdquo;</p><p>&nbsp;</p><p>Herbert Marshall is Scott O&#39;Brien&#39;s seventh biography of classic cinema legends.&nbsp; His books received positive reviews in such publications as <em>Sight &amp; Sound SF Gate</em> and <em>Classic Images</em>.&nbsp; Three of O&rsquo;Brien&rsquo;s books have made the <em>Huffington Post</em>&rsquo;s &ldquo;Best Cinema Books of the Year.&rdquo;</p>
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