Hesiod's Theogony

Stephen Scully both offers a reading of Hesiod's <em>Theogony</em> and traces the reception and shadows of this authoritative Greek creation story in Greek and Roman texts up to Milton's own creation myth which sought to soar above th' Aonian Mount [i.e. the <em>Theogony</em>]...and justify the ways of God to men. Scully also considers the poem in light of Near Eastern creation stories including the <em>En�ma elish</em> and Genesis as well as the most striking of modern scientific myths Freud's Civilization and its Discontents. Scully reads Hesiod's poem as a hymn to Zeus and a city-state creation myth arguing that Olympus is portrayed as an idealized polity and--with but one exception--a place of communal harmony. This reading informs his study of the <em>Theogony</em>'s reception in later writings about polity discord and justice. The rich and various story of reception pays particular attention to the long Homeric Hymns Solon the Presocratics Pindar Aeschylus Aristophanes and Plato in the Archaic and Classical periods; to the Alexandrian scholars Callimachus Euhemerus and the Stoics in the Hellenistic period; to Ovid Apollodorus Lucian a few Church fathers and the Neoplatonists in the Roman period. Tracing the poem's reception in the Byzantine medieval and early Renaissance including Petrarch and Erasmus the book ends with a lengthy exploration of Milton's imitations of the poem in <em>Paradise Lost</em>. Scully also compares what he considers Hesiod's artful interplay of narrative genealogical lists and keen use of personified abstractions in the<em> Theogony</em> to Homeric narrative techniques and treatment of epic verse.<br>