Throughout the twentieth century scholars artists and politicians have accused each other of historicism. But what exactly did this mean? Judging by existing scholarship the answers varied enormously. Like many other isms historicism could mean nearly everything to the point of becoming meaningless.<br/><br/>Yet the questions remain: What made generations of scholars throughout the humanities and social sciences worry about historicism? Why did even musicians and members of parliament warn against historicism? And what explains this remarkable career of the term across generations fields regions and languages?<br/><br/>Focusing on the travels that historicism made this volume uses historicism as a prism for exploring connections between disciplines and intellectual traditions usually studied in isolation from each other. It shows how generations of sociologists theologians and historians tried to avoid pitfalls associated with historicism and explains why the term was heavily charged with emotions like anxiety anger and worry.<br/><br/>While offering fresh interpretations of classic authors such as Friedrich Meinecke Karl Löwith and Leo Strauss this volume highlights how historicism took on new meanings connotations and emotional baggage in the course of its travels through time and place.
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