History of Botany: 1530 1860 (Classic Reprint)

Excerpt from History of Botany: 1530 1860<br><br>The style of the narrative might have been freer and greater space might have been allotted to re?ections on the inner connection of the whole subject if I had had before me better preliminary studies in the history Of botany; but as things are I have found myself especially occupied in ascertaining questions of historical fact in distinguish ing true merit from undeserved reputation in searching out the first beginnings of fruitful thoughts and observing their development and in more than one case in pro ducing lengthy refutations of wide-spread errors. These things could not be done within the allotted space without a certain dryness of style and manner and I have Often been obliged to content myself with passing allusions where detailed explanation might have been desired.<br><br>As regards the choice of topics I have given promin ence to discoveries of facts only when they could be shown to have promoted the development of the science; on the other hand I have made it my chief object to dis cover the first dawning of scientific ideas and to follow them as they developed into comprehensive theories for in this lies to my mind the true history of a science. But the task of the historian of Botany as thus conceived is a very difficult one for it is Only with great labour that he succeeds in picking the real thread of scientific thought out of an incredible chaos of empirical material.<br><br>About the Publisher<br><br>Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com<br><br>This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work preserving the original format whilst repairing imperfections present in the aged copy. In rare cases an imperfection in the original such as a blemish or missing page may be replicated in our edition. We do however repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.