<p><em>Hollywood and Africa - recycling the &lsquo;Dark Continent&rsquo; myth from 1908&ndash;2020</em> is a study of over a century of stereotypical Hollywood film productions about Africa. It argues that the myth of the Dark Continent continues to influence Western cultural productions about Africa as a cognitive-based system of knowledge especially in history literature and film.</p><p><em>Hollywood and Africa</em> identifies the &lsquo;colonial mastertext&rsquo; of the Dark Continent mythos by providing a historiographic genealogy and context for the term&rsquo;s development and consolidation. An array of literary and paraliterary film adaptation theories are employed to analyse the deep genetic strands of Hollywood&ndash;Africa film adaptations. The mutations of the Dark Continent mythos across time and space are then tracked through the classical neoclassical and new wave Hollywood&ndash;Africa phases in order to illustrate how Hollywood productions about Africa recycle revise reframe reinforce transpose interrogate &mdash; and even critique &mdash; these tropes of Darkest Africa while sustaining the colonial mastertext and rising cyberactivism against Hollywood&rsquo;s whitewashing of African history.</p>
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