Honey Monster

<p>In <em>Honey Monster</em> Bobby Parker uproots the confessional tradition and plants it on a British council estate. Masochistic impolite and painfully uncomfortable Parker writes in first person about his childhood unafraid to show his scars revelling in dark moments as if bringing them to light will bring closure. Parker is a martyr to the page writing as if nothing mattered more with electricity in every phrase.</p>