Iconic Spaces

<p><i>Iconic Spaces</i> looks at Samuel Beckett's mature theatrical work as a displaced theology of the icon. Sandra Wynands rejects conventional existentialist or nihilist interpretations of Beckett's work arguing instead that beneath the text in the depths of language and being Beckett creates an absolutely irreducible transcendent space. She traces a nondual model of perception and experience through a selection of Beckett's art-critical and dramatic works focusing in particular on four minimalist plays: <i>Catastrophe Not I Quad </i>and <i>Film</i>.</p><p><i>Iconic Spaces</i> makes an important contribution to scholars and students of literature philosophy theatre studies and religion by giving them an exciting new way of reading and experiencing Beckett's work.</p>