Industrial Estate - Issue 1

<p>The first issue of <em style=color: rgba(223 29 37 1)>Industrial Estate</em> has it all: fiction by <span style=color: rgba(223 29 37 1)>Emma Rayward</span> that shakes down the structural nature of manufactured housing scarcity; a long essay by <span style=color: rgba(223 29 37 1)>Jonno Revanche</span> exploring the utility/futility of fantasy/phantasy in collectivising around a revolutionary goal; eviscerating poetry by <span style=color: rgba(223 29 37 1)>Lucy Norton</span> <span style=color: rgba(223 29 37 1)>Natalia Figueroa Barroso</span> <span style=color: rgba(223 29 37 1)>j. taylor bell</span> <span style=color: rgba(223 29 37 1)>Justine Keating</span> <span style=color: rgba(223 29 37 1)>Spencer Barberis</span> and <span style=color: rgba(223 29 37 1)>David Stavanger</span>; bottle-o retail gothic in hilarious fiction by <span style=color: rgba(223 29 37 1)>Liam Diviney</span>; rumination on <em>'</em>drafts of drafts<em>'</em> in nonfiction by <span style=color: rgba(223 29 37 1)>Jennifer Nguyen</span>. And we promise that after reading <span style=color: rgba(223 29 37 1)>Hollen Singleton's</span> essay you will never perceive moss the same way again.</p><p><br></p><p><em style=color: rgba(223 29 37 1)>Industrial Estate</em> is a literary magazine showcasing writing from the working class.</p><p><br></p><p><em style=color: rgba(223 29 37 1)>Industrial Estate</em> seeks to enhance working-class participation in the literary arts by providing publication opportunities to working-class writers and writers from a working-class background.</p><p><br></p><p>Upper class writers are overrepresented in 'Australian' publishing both on the page and behind the scenes. <em style=color: rgba(223 29 37 1)>Industrial Estate</em> is an intervention. As it stands there are very few arts organisations in so-called 'Australia' with a mandate to specifically account for the inclusion of working-class writers.</p>