<p>2020 Reprint of the 1932 Edition. &nbsp;Thurman is perhaps best known for this novel which is a satire of what he believed were the overrated creative figures of the Harlem scene. Some reviewers welcomed Thurman&rsquo;s bold insight while others vilified him as a racial traitor. A thinly disguised memoir of Thurman&#39;s own experiences in the 1920s. &quot;[This novel] centers on the larger-than-life denizens of a Harlem mansion called &quot;Niggeratti Manor&quot;: The Novel pokes fun at a few famous writers including Zora Neale Hurston Alain Locke and Langston Hughes. Thurman weaves a hilarious story that critiques the paternalistic Negro author/white patron relationship uncovers the social-class antagonisms in the Afro-American community and foreshadows the sexual and social themes of James Baldwin and E. Lynn Harris. Thurman&#39;s elegant and elastic prose adds more illumination to this bright period in African American literature. --Eugene Holley Jr.at Amazon.com.</p><p>&ldquo;This delightful roman&nbsp;&agrave; clef about the Harlem Renaissance reflects . . . many of the competing notions of its time &mdash; between the masses and individuality between art and uplift between civilization and primitivism between separatism and assimilation.&quot; &mdash; <em>Kirkus Reviews</em></p>
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