Ingmar Bergman at the Crossroads

Ingmar Bergman's rich legacy as film director and writer of classics such as <i>The Seventh Seal</i> <i>Scenes From a Marriage </i>and <i>Fanny and Alexander</i> has attracted scholars not only in film studies but also of literature theater gender philosophy religion sociology musicology and more. Less known however is Bergman from the perspective of production studies including all the choices practices and routines involved in what goes on behind the scenes. For instance what about Bergman's collaborations and conflicts with film producers? What about his work with musicians at the opera technicians in the television studio and actors on the film set. What about Bergman and <i>MeToo</i>? <br/><br/>In order to throw light on these issues art practitioners such as film directors Ang Lee and Margarethe von Trotta film and opera director Atom Egoyan and film producer and screenwriter James Schamus are brought together with academics such as philosopher and film scholar Paisley Livingston musicologist Alexis Luko and playwright and performance studies scholar Allan Havis to discuss Bergman's work from their unique perspectives. In addition <i>Ingmar Bergman at the Crossroads</i> provides for the first time in-depth interviews with Bergman's longtime collaborators Katinka Faragó and Måns Reuterswärd who both have first-hand experience of working intimately as producers in film and television with Bergman covering more than 5 decades. In an open exchange between individual and institutional perspectives this book bridges the often-rigid boundaries between theoreticians and practitioners in turn pointing Bergman studies in new directions. <br/><br/>