Intermediality in European Avant-garde Cinema

<p>The book proposes a new perspective on avant-garde cinema, utilising approaches from intermediality to explore how the spirit of experimentation, a hallmark of historical avant-garde and post-war artistic movements, is still present in contemporary filmmaking today.</p><p>The volume explores how contemporary avant-garde filmmakers have brought innovation to modern cinema. Filmmakers, such as, Jean-Luc Godard, Lars von Trier, and Alexander Sokurov and their contemporary works will be analyzed, reflecting on their experimentation with cinematic techniques and the mixing of the film medium with other media, such as literature, theatre, and painting. Important research questions considered throughout the book include: How do intermedial experiments convey meaning in films? What is the impact on the spectator of the mixing of various media forms in cinema? And how are the contemporary films of Jean-Luc Godard, Lars von Trier, and Alexander Sokurov innovative and experimental? The book is devoted to all these themes and provides a thorough analysis of contemporary films examined through an intermedial perspective.</p><p>Providing a comprehensive analysis of contemporary avant-garde filmmaking from an intermedial perspective, this book will be of interest to graduate students and scholars working in intermedial studies, film and media studies, and cultural studies.</p> <p>Table of Contents</p><p>Dedication</p><p>Acknowledgments</p><p>1. Introduction: European Avant-garde Cinema</p><p>2. Intermediality in Cinema </p><p>3. Jean-Luc Godard: Intermediality and Genre Hybridity in his Late Films</p><p>4. Stillness in Motion: Intermedial Encounters in Alexander Sokurov’s Films</p><p>5. Cinema as Theatrical Space in Lars von Trier’s Films</p><p>6. Conclusion: The Politics of Intermediality</p>