Iron Ornament and Architecture in Victorian Britain

Vilified by leading architectural modernists and Victorian critics alike mass-produced architectural ornament in iron has received little sustained study since the 1960s; yet it proliferated in Britain in the half century after the building of the Crystal Palace in 1851 - a time when some architects engineers manufacturers and theorists believed that the fusion of iron and ornament would reconcile art and technology and create a new modern architectural language. Comprehensively illustrated and richly researched Iron Ornament and Architecture in Victorian Britain presents the most sustained study to date of the development of mechanised architectural ornament in iron in nineteenth-century architecture its reception and theorisation by architects critics and engineers and the contexts in which it flourished including industrial buildings retail and seaside architecture railway stations buildings for export and exhibition and street furniture. Appealing to architects conservationists historians and students of nineteenth-century visual culture and the built environment this book offers new ways of understanding the notion of modernity in Victorian architecture by questioning and re-evaluating both Victorian and modernist understandings of the ideological split between historicism and functionalism and ornament and structure.