Is Hip Hop Dead?: The Past Present and Future of America's Most Wanted Music

Hip hop is remarkably self-critical as a genre. In lyrics rappers continue to debate the definition of hip hop and question where the line between underground artist and mainstream crossover is drawn who owns the culture and who runs the industry and most importantly how to remain true to the cultures roots while also seeking fame and fortune. The tension between the desires to preserve hip hops original culture and to create commercially successful music promotes a lyrical war of words between mainstream and underground artists that keeps hip hop very much alive today. In response to criticisms that hip hop has suffered or died in its transition to the mainstream this book seeks to highlight and examine the ongoing dialogue among rap artists whose work describes their own careers.Proclamations of hip hops death have flooded the airwaves. The issue may have reached its boiling point in Nass 2006 album Hip Hop is Dead. Nass album is driven by nostalgia for a mythically pure moment in hip hops history when the music was motivated by artistic passion instead of base commercialism. In the course of this same album however Nas himself brags about making money for his particular record label. These and similar contradictions are emblematic of the complex forces underlying the dialogue that keeps hip hop a vital element of our culture. Is Hip Hop Dead? seeks to illuminate the origins of hip hop nostalgia and examine how artists maintain control of their music and culture in the face of corporate record companies government censorship and the standardization of the rap image.Many hip hop artists both mainstream and underground use their lyrics to engage in a complex dialogue about rhyme skills versus record sales and commercialism versus culture. This ongoing dialogue invigorates hip hop and provides a common ground upon which we can reconsider many of the developments in the industry over the past 20 years. Building from black traditions that value knowledge gained from personal experience rappers emphasize the importance of street knowledge and its role in forging a career in the music business. Lyrics adopt models of the self-made man narrative yet reject the trajectories of white Americans like Benjamin Franklin who espoused values of prudence diligence and delayed gratification. Hip hops narratives instead promote a more immediately viable gratification through crime and extend this criminal mentality to their work in the music business. Through the lens of hip hop and the threats to hip hop culture author Mickey Hess is able to confront a range of important issues including race class criminality authenticity the media and personal identity.