<p class=ql-align-justify>Aniconic with no sacred representational projections ofdivinity through paintings plastic arts etc.&nbsp;as in certain Western and Eastern arts Islamic art&nbsp;rooted in Tawhid the inimitable concept of God's unity that entails His sublime attributes called <span style=background-color: rgba(255 255 255 1); color: rgba(32 33 34 1)>Asm??u Husn? is a manifestation of beauty refinement harmony moderation equilibrium and authenticity. In other words Islamic art is a civilizational reflection of Ihsan a comprehensive term that combines all the above mentioned qualities. Muslim artists and architects throughout the centuries have been aware of the Prophet's saying God certainly has prescribed Ihsan in everything. </span>And God according to another Hadith is beautiful. And He loves the beauty. </p><p class=ql-align-justify></p><p class=ql-align-justify>It is this story of beauty refinement harmony etc.&nbsp;that the present volume Islamic Art and Architecture: An Introduction Edited by Dr Sabrina Lei one of the insightful contemporary European Muslim philosophers presents before&nbsp;the readers interested in the history the basic principles of Islamic art and architecture. Apart from Dr Sabrina's&nbsp;introductory article&nbsp;on the philosophy of Islamic art and architecture this volumeTawasul's&nbsp;first segment in a three-volume series on Islamic art and architecture contains the authentic&nbsp;studies of some of the preeminent experts in the field like&nbsp;Sir Thomas Arnold &nbsp;&nbsp;Stanley Lane Poole and Martin S. Briggs. </p><p></p>
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