Israeli Television

<p>The essays in this anthology study Israeli television, its different forms of representation, audiences and production processes, past and present, examining Israeli television in both its local, cultural dynamics, and global interfaces.</p><p>The book looks at Israeli television as a creator, negotiator, guardian and warden of collective Israeli memory, examining instances of Israeli original television exported and circulated to the US and the global markets, as well as instances of American, British, and global TV formats, adapted and translated to the Israeli scene and screen. The trajectory of this volume is to shed light on major themes and issues Israeli television negotiates: history and memory, war and trauma, Zionism and national disillusionment, place and home, ethnicity in its unique local variations of Ashkenazim and Mizrahim, immigrants from the former Soviet Union and Ethiopia, Israeli–Arabs and Palestinians, gender in its unique Israeli formations, specifically masculinity as shaped by the military and constant violent conflict, femininity in this same context as well as within a complex Jewish oriented society, religion, and secularism.</p><p>Providing multifaceted portraits of Israeli television and culture in its Middle Eastern political and local context, this book will be a key resource to readers interested in media and television studies, cultural studies, Israel, and the Middle East.</p> <p>Introduction <b>Part 1. Television, History, and Collective Memory: TV Comes to the Israeli Home </b>1. Remembering Television in Mainstream Jewish Israel: From One Nation-One Channel to Commercial Tribalization <i>Jérôme Bourdon, Neta Kligler-Vilenchik </i>2. Dis-covering the Holocaust: Third Generation Discourse and Collective Memory in the documentary <i>The Flat</i> <i>Ruth Diskin </i>3. "Remember Them All": Reimagining Collective Memory in Sayed Kashua’s Israeli Sitcom <i>Arab Labor Shiri Goren </i><b>Part 2. Trauma, Terror and the Nation </b>4. Television in a Time of Terror:<b> </b>Trauma and Singular Plurality in the Series <i>Fauda Nurith Gertz and Raz Yosef </i>5. The Impossible Homecoming: The Israeli Television Series <i>Prisoners of War </i>(<i>Hatufim</i>) <i>Yael Munk </i>6. In the Name of the Father: The Paternal Lineage in the Television Drama Series <i>Betipul</i> and <i>In Treatment Miri Talmon </i><b>Part 3. Discourses of Place </b>7. A Place Outside of Place: Jerusalem in Television Drama of the Early 2000s <i>Anat Zanger </i>8. Places and Non-places in Israeli Music Videos as a New Type of Localization <i>Arielle Friedma </i>9. A Family Photo across the Atlantic Ocean: The Drama Series <i>Bat Yam New York Orna Lavy-Flint </i><b>Part 4. Varieties of Television Drama: The Popular and Social Discourse </b>10. Painting the Wall: Generations and Gentrification in the Israeli Television Drama <i>Florentine Alon Judkovsky </i>11. Mary Lou's Glee: Screening Young Gay Men's Musical Odyssey in Israeli and American TV Musicals <i>Gilad Padva </i>12. Transmedia Storytelling on Israeli Drama for Children <i>Yuval Gozansky and Gabriela Jonas Aharoni </i>13. Our Telenovelas: Israeli Telenovelas and Globalization <i>Gabriela Jonas Aharoni </i><b>Part 5.</b> <b>Humor and Identity Politics </b>14. Not Just Another Day at the Office: On the Subversive Dimension of the Israeli Adaptation of British Series <i>The Office Ronen Gil </i>15. Beyond the Chamber Quintet: Holocaust Humor on Israeli Television in the 2000s <i>Liat Steir-Livny </i>16. Political Opponents as Unruly Women: Gender Representations of Body, Voice and Space in Israeli Televised Satire <i>David Levin </i><b>Part 6. Documentary and Reality Television: Negotiating Israeliness </b>17. Identity, Politics and Everyday Life: Tomer Heymann's <i>The Way Home Dafna Hirsch </i>18. Privacy and Exposure on Israel’s Reality TV Show <i>Big Brother Amit Lavie-Dinur and Yuval Karniel </i>19. Mother Rules? <i>Wife Swap</i> Becomes Israeli <i>Tal Kurt and Miri Talmon </i></p>