Singing John Brown's Body as they marched to war Union soldiers sought to steel themselves in the face of impending death. As the bodies of these soldiers accumulated in the wake of battle writers artists and politicians extolled their deaths as a means to national unity and rebirth. Many scholars have followed suit and the Civil War is often remembered as an inaugural moment in the development of national identity.<br/><br/>Revisiting the culture of the Civil War Franny Nudelman analyzes the idealization of mass death and explores alternative ways of depicting the violence of war. Considering martyred soldiers in relation to suffering slaves she argues that responses to wartime death cannot be fully understood without attention to the brutality directed against African Americans during the antebellum era.<br/><br/>Throughout Nudelman focuses not only on representations of the dead but also on practical methods for handling studying and commemorating corpses. She narrates heated conflicts over the political significance of the dead: whether in the anatomy classroom or the Army Medical Museum at the military scaffold or the national cemetery the corpse was prized as a source of authority. Integrating the study of death oppression and war <i>John Brown's Body</i> makes an important contribution to a growing body of scholarship that meditates on the relationship between violence and culture.
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