Journal of the Fantastic in the Arts (2022 - Volume 33 Number 1)

<p>Contents</p><p>________________________________________</p><p><br></p><p>Images of Horror: Black Childhood as a Site of Resistance in Visual Media</p><p>Sara Austin</p><p><br></p><p>The Emotion of Dread in Cinematic Horror</p><p>Matthias De Bondt</p><p><br></p><p>Atomic Art and the Ecological Perspectives of David Lynch</p><p>Todd Tietchen</p><p><br></p><p>Han Song's Weirdly Sublime Anti-Modernity</p><p>Ron Judy</p><p><br></p><p>REVIEWS</p><p><br></p><p>Kevin J. Wetmore Jr.'s The Conjuring (Devil's Advocates)</p><p>Rev. by Zachary Doiron</p><p><br></p><p>Tison Pugh's Harry Potter and Beyond: On J.K. Rowling's Fantasies and Other Fictions</p><p>Rev. by Anna L?scher</p><p><br></p><p>Christy Williams's Mapping Fairy-Tale Space: Pastiche and Metafiction in Borderless Tales</p><p>Rev. by Alexandra Lykissas</p><p><br></p><p>Kyle A. Moody and Nicholas Yanes's Hannibal for Dinner: Essays on America's Favorite Cannibal on Television</p><p>Rev. by Kathleen Shaughnessy</p><p><br></p><p>Laurence Rickels's Critique of Fantasy Vol 1: Between a Crypt and a Datemark Critique of Fantasy Vol 2: The Contest Between B-Genres and Critique of Fantasy Vol 3: The Block of Fame</p><p>Rev. by Brian Willems</p>