Journal of the Fantastic in the Arts (2023 - Volume 34 Number 1)

<p><span style=color: rgba(0 0 0 1)>Contents</span></p><p><span style=color: rgba(0 0 0 1)>________________________________________</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Breaking the Glass Ceiling: Thriving as a Nigerian Female Artist in a Predominantly Male Industry</span></p><p><span style=color: rgba(0 0 0 1)>Emma Nyra</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>I Am Legend & Mad Max: Fury Road: New Subjectivities After the End of the World</span></p><p><span style=color: rgba(0 0 0 1)>Evdokia Stefanopoulou</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Reading Roxane Gay's Requiem for a Glass Heart from a Disability Perspective</span></p><p><span style=color: rgba(0 0 0 1)>Kari Hanson-Park</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Female SF Porridge SF and Sinopedia: Xia Jia and Genres of Contemporary Chinese Science Fiction</span></p><p><span style=color: rgba(0 0 0 1)>Regina Kanyu Wang</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Disrupting the Nascent Paradigm of Urban Automobility in H. G. Wells's The Sleeper Awakes</span></p><p><span style=color: rgba(0 0 0 1)>Jeremy Withers</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Changeling the Outcome: Fairy-Tale Framing and the Ethics of Care in Michelle Lovretta's Killjoys</span></p><p><span style=color: rgba(0 0 0 1)>Christina Fawcett</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>A Monstrous Correspondence: Letters Between Frankenstein and Dracula</span></p><p><span style=color: rgba(0 0 0 1)>Callum Browne</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>A Ghost Can Be a Lot of Things: The Allocation of Horror in The Haunting of H[ill] House</span></p><p><span style=color: rgba(0 0 0 1)>Anelise Haukaas</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Somebody to Love: The Queer Possibilities of Amazon Prime's Good Omens</span></p><p><span style=color: rgba(0 0 0 1)>Linda Wight</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Bible Fantasy and Modern Israeli Fantasy: The Case of The War of the Kings</span></p><p><span style=color: rgba(0 0 0 1)>Hagai Dagan</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>I was Wary of that Tracery of Words as if Somehow They Could Hurt Me: Intrusive Words and Posthumanist Horror in Jeff VanderMeer's Annihilation</span></p><p><span style=color: rgba(0 0 0 1)>Maggie White</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Do Androids Dream of Wars and Climate Change? India's Futures in Three Hindi Large Short Films</span></p><p><span style=color: rgba(0 0 0 1)>Sami Ahmad Khan</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Enabling Artistry</span></p><p><span style=color: rgba(0 0 0 1)>Melody Mennite Walsh</span></p><p><br></p><p><br></p><p><span style=color: rgba(0 0 0 1)>REVIEWS</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Simon Bacon's Eco-Vampires: The Undead and the Environment</span></p><p><span style=color: rgba(0 0 0 1)>Rev. by Amanda Firestone</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Mike Ashley's The Rise of the Cyberzines: the Story of the Science-Fiction Magazines from 1991-2020</span></p><p><span style=color: rgba(0 0 0 1)>Rev. by Farah Mendlesohn</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>T. Boffone and C. Herrera's Nerds Goths Geeks and Freaks: Outsiders in Chicanx and Latinx Young Adult Literature</span></p><p><span style=color: rgba(0 0 0 1)>Rev. by Genesis Pabon</span></p><p><br></p><p><span style=color: rgba(0 0 0 1)>Samantha Lindop's The Stepford Wives</span></p><p><span style=color: rgba(0 0 0 1)>Rev. by Pedro Ponce</span></p>