Journal of the Fantastic in the Arts - 36.2

<p>CONTENTS</p><p></p><p>Creative Think Piece: Frank Belknap Long Letters Written to Michael E. Ambrose 1976-1979</p><p>Katherine Kerestman</p><p></p><p>Afro-cosmicism: On the Craft of Seizing Speculative Reparations</p><p>Chris Campbell Hartwell Award Finalist</p><p></p><p>Anarres: Where Women Hold Up Half the Sky</p><p>Natalie Fourmyle Hartwell Award Finalist</p><p></p><p>Magneto's Power to Survive the Holocaust: Examining the Fantastic Relationship Between Character and Setting in Greg Pak's X-Men: Magneto Testament</p><p>Alexander Banks Hartwell Award Finalist</p><p></p><p>Parasitism Coexistence and Colonialism in Animorphs</p><p>Miranda Miller Hartwell Award Winner</p><p></p><p>Is Dracula Anti-Semitic?</p><p>Steven Brehe</p><p></p><p>Mapping Magic in Fantasy Novels: Magic Systems and Thematic Undercurrents in Mark Lawrence's Book of the Ancestor</p><p>Finley Dunn</p><p></p><p>Economics in Frank Herber's Dune and its Use as a Storytelling Tool</p><p>Amelia Kerns</p><p></p><p>Historical Fantasy and History</p><p>Jared van Duinen</p><p></p><p>Faith Dogma and Vision in Mr. Pye: A Quest for Synthesis </p><p>Ruchira Mandal</p><p></p><p>I'm Dead I'm Dead It's Good to Be Dead!: The Uncanny Epiphanies of Ray Bradbury's Jack-in-the-Box and H. P. Lovecraft's The Outsider</p><p>Misty L. Jameson</p><p></p><p>Creative Think Piece: What One Can Become on the Verge of Global Unity</p><p>Tracy Ross</p><p></p><p></p><p>REVIEWS</p><p></p><p>Maia Gil'Adí's Doom Patterns: Latinx Speculations and the Aesthetics of Violence</p><p>Rev. by Alexander Banks</p><p></p><p>Charles L. Crow's California Gothic: The Dark Side of the Dream </p><p>Rev. by Karin Beeler</p><p></p><p>Julie Wosk's Artificial Women: Sex Dolls Robot Caregivers and More Facsimile Females</p><p>Rev. by Ashley Perry</p><p> </p>