Knots Landing

<p>Airing on CBS for fourteen seasons (1979–93) <em>Knots Landing</em> was a spinoff of the popular drama <em>Dallas</em> but ultimately ran longer and took a very different tone on domestic social and economic issues than its predecssor. In the first full-length scholarly study of <em>Knots Landing</em> Nick Salvato situates the series in its economic and industrial contexts addresses its surprisingly progressive relationship to the American politics of its period offers close formal interpretations of noteworthy episodes and unpacks the pleasures of the program’s sensuous surfaces.<br />  <br /> While it has been largely overlooked in studies of 1980s television <em>Knots Landing</em> nonetheless beat more masculine fare like <em>Hill Street Blues</em> and <em>L.A. Law </em>in the ratings introduced a novel focus on middle-class lives in melodrama and launched or revived the careers of its major stars. In this study Salvato investigates the series’ place in widespread serialization of American primetime television in the early 1980s and the end of network dominance in the early 1990s along with its unique relationship to Reaganism and glamour on the one hand and everydayness and suburbanization on the other. Salvato also looks at the series in relation to key concepts such as memory theatricality identification “quality” TV and stardom.<br /><br /> Fans of the series as well as readers interested in popular culture television history representations of gender and constructions of celebrity will find much to enjoy in this volume.</p>