Three allegories-an Odysseus (Homer) allegory a man-machine symbiosis (Arthur Clarke) allegory and a Zarathustra (Nietzsche) allegory-are simultaneously concealed and revealed by well over 200 highly imaginative and sometimes devilishly clever symbols. In bringing Kubrick's secrets to light Wheat builds a powerful case for his assertion that <I>2001</I> is the grandest motion picture ever filmed.
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