<p><em>La Belle Dame qui eust mercy&nbsp;</em>and&nbsp;<em>Le Dialogue d&rsquo;amoureux et de sa dame</em>&nbsp;are two late-medieval poems in which a courtly gentleman and lady debate the merits of his pleas for her affections. In both cases the lady is recalcitrant dismissing her suitor&rsquo;s lovesickness as a trifle denying that she ever gave any sign of encouragement and wishing to protect her reputation. The lady in&nbsp;<em>Le Dialogue</em>&nbsp;never capitulates; in contrast the Belle Dame ends by agreeing to her lover&rsquo;s suit and imagining a future in which they will joyfully&nbsp;live together.&nbsp;</p><p>Both poems merit serious attention for their kinship with Alain Chartier&rsquo;s&nbsp;<em>La Belle Dame sans mercy</em>&nbsp;(1424) and other poems in the so-called &ldquo;Belle Dame&rdquo; cycle. Their presence in numerous fifteenth- and sixteenth-century manuscript and printed collections attests to their appeal in their day. Equally as significant is their unusual bipartite stanza&iuml;c structure suggesting amalgamation of separate poems and/or continuations of existing poems. Such an anomaly complicates attribution of authorship and dating but close study of&nbsp;<em>La Belle Dame qui eust mercy&nbsp;</em>and&nbsp;<em>Le Dialogue d&rsquo;amoureux et de sa dame</em>&nbsp;can only enhance our understanding of the process(es) of poetic composition as well as the&nbsp;<em>mise en page</em>&nbsp;and reception of literary works in the late Middle Ages.&nbsp;</p><p><br />&nbsp;</p>
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