<p>&quot;It is precisely against the darkness of the world that comedy arises and it is best when that is not hidden.&quot;</p><p>With these words Tolkien replied to Rayner Unwin&#39;s comments upon first reading Book 1 of <em>Lord of the Rings</em>. Rayner had not commented on the comedy of Book 1 but on the overpowering effect of &quot;the struggle between darkness and light&quot; as he put it and that omission disappointed Tolkien. If this was the response of Tolkien&#39;s famous first reviewer it is not surprising that academic studies have also tended to overlook or disregard both the presence of humour in Tolkien&#39;s work and the effect of his work to inspire humour in readers&#39; and artists&#39; responses.</p><p><em>Laughter in Middle-earth: Humour in and around the Works of JRR Tolkien</em> more than compensates for this critical oversight. From onomastic studies and parody to historical literary and social contexts a history of illustrations textual interpretations heroic forms of defiant laughter and then to a reminiscence of the Inklings&#39; tastes in humour these scholarly articles analyse the broad range of comedy which arises against the darkness of the world in Tolkien&#39;s narratives. As well interspersed between these studies are numerous comic illustrations some of which appear in print for the first time from well-known Tolkien illustrators.</p><p>As Eru is reported saying in a typically egregious internet appropriation of Tolkien &quot;There is no joke that hath not its uttermost source in me.&quot; This book demonstrates that humour is truly a significant aspect of Middle-earth and its influences. Eru like Tolkien himself could indeed laugh.</p>
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