<p>In James Brasfield&#39;s Ledger of Crossroads layered by light and shadow the crossroads emerge from distinct yet inseparable geographies. Grounded in the sensual world the poems fuse American and Eastern European landscapes: &quot;the char of silence and beauty / brick foundations of what was here dirt roads / cut through pines rivers and the dust of the dead.&quot; Here are experiences from the American South of those who believed Jim Crow &quot;the way things... had to be&quot; and from the fallen imperiums of those &quot;who have always / returned to fewer trees and a wall&quot; whose intimate perceptions provide moments of reprieves: &quot;beyond the faint scent / of almond in the air and heavy clouds / funneling from the earth into snowfall / the current calmed within that distant / bend of the Vistula.&quot; Here we become the identities of others their time and place from the strata of their histories. They enter our lives.</p>
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