<p>With reference to the theoretical framework of Michel Foucault and Pierre Bourdieu this book offers a critical investigation into such epic issues as the end of art and the inherent laws of literature’s evolution while conflating the two into one major argumentation.</p><p>The book proceeds from Hegel’s claim of “the end of art” to tackle the universal yet essential problem of literature: its legitimacy in a sociological sense. It invests Bourdieu’s sociological terms – power capital habitus field and so forth-into the study of literature and art while taking on other theoretical enquiries particularly the Marxist exploration into ideology as well as aspects of economics and communication studies.</p><p>This book will be a valuable resource for students and scholars of the sociology of literature cultural studies and those with specific interests in Chinese literature literary and art theory.</p>
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