LO: TECH: POP: CULT

<p>This edited collection assembles international perspectives from artists academics and curators in the field to bring the insights of screendance theory and practice back into conversations with critical methods at the intersections of popular culture low-tech media practices dance and movement studies and the minoritarian perspectives of feminism queer theory critical race studies and more.</p><p>This book represents new vectors in screendance studies featuring contributions by both artists and theoreticians some of the most established voices in the field as well as the next generation of emerging scholars artists and curators. It builds on the foundational cartographies of screendance studies that attempted to sketch out what was particular to this practice. Sampling and reworking established forms of inquiry artistic practice and spectatorial habits and suspending and reorienting gestures into minoritarian forms these conversations consider the affordances of screendance for reimaging the relations of bodies technologies and media today.</p><p>This collection will be of great interest to students and scholars in dance studies performance studies cinema and media studies feminist studies and cultural studies.</p>