This book finds an association in London-based poetry that responds to dominant cultural ideas of what London means as place and process and how poetry constructs a possibility of London. The argument is three-fold. In the first instance examining London as a mythic construct in the second instance forming a discussion on constructs of urban space and the third argument situates the ''poem'' as an historical product. It concludes by illustrating how poetic form and language operates as a subversive system of communication responding to the city.
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