<p class=ql-align-center><strong>&nbsp;R</strong>enowned artist <strong>Lucian Freud </strong>(1922-2011) is commemorated in an&nbsp;&nbsp;&nbsp;&nbsp;exhibition of portraits and figure studies spanning seven&nbsp;decades his working life held at the National Portrait Gallery London from&nbsp;&nbsp;&nbsp;February to May 2012. </p><p class=ql-align-justify>&nbsp;The monograph explores the development of his art from acutely&nbsp;&nbsp;&nbsp;&nbsp;observed studies of the 1940s to major paintings in the later phase where the artist engaged in a complex and sometimes brutal meditation on the human being&nbsp;drawn from an intimate engagement with the sitter. </p><p class=ql-align-justify>&nbsp;Freud's unsparing eye maps his subjects sustaining single handed an&nbsp;almost unique commitmnt to the ambitions of high art grounded in&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;&nbsp;classical canons of Western tradition. The study includes a review by&nbsp;&nbsp;&nbsp;Marina Vaizey of Freud's drawings prints and oil studies exhibited at Blain|Southern Gallery Hay Hill.</p><p class=ql-align-justify><br></p><p class=ql-align-justify><strong>Marina Vaizey </strong>is an art critic lecturer and traveller; her books include <em>The Artist as Photographer</em> <em>100 Masterpieces of Art; Great&nbsp;Women Collectors. </em>She was the art critic for the Financial Times for&nbsp;four years and The Sunday Times for eighteen. She has curated&nbsp;several&nbsp;exhibitions&nbsp;and&nbsp;written manycatalogues. She has been a Trustee&nbsp;for&nbsp;several&nbsp;&nbsp;national museums.</p><p>&nbsp;</p>
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