<p>Since the 1960s the hybrid popular music called <i>luk thung</i> has embodied the aspirations frustrations and sorrows of Thailand&#8217;s working class. Global scholarship however has been slow in examining this seminal genre. In this pioneering book ethnomusicologist James Mitchell explores the many facets of <i>luk thung</i> through ethnographic research with singers songwriters fans and other professionals. The groundbreaking final chapter refutes the widespread opinion that <i>luk thung</i> is an apolitical genre by examining its role in recent political turmoil and tracing currents of protest and sociopolitical commentary back to the music&#8217;s origins.<br/><br/>The book includes links to many songs online so that readers can hear for themselves the music that came to express the triumphs and hardships of everyday working Thais.</p>
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