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<p><b>'Compelling, remorseless, brilliant' John Gray </b> <br><br><i>All that was still unclear, for sure. Ernest Malik had been right when he had looked at Maigret with a smile that was a mixture of sarcasm and contempt. This wasn't a case for him. He was out of his depth. This world was unfamiliar to him, and he had difficulty piecing it all together.<br></i><br>Peacefully tending his garden in the countryside, Maigret is called upon to investigate a rich family with skeletons in their cupboard - and finds himself confronted by lies, snobbery and malice.<br><br>This novel has been published in a previous translation as <i>Maigret in Retirement</i>.<br><br>'His artistry is supreme' John Banville<br><br>'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' <i>Guardian</i></p>
<p><b>'Compelling, remorseless, brilliant' John Gray </b> <br><br><i>All that was still unclear, for sure. Ernest Malik had been right when he had looked at Maigret with a smile that was a mixture of sarcasm and contempt. This wasn't a case for him. He was out of his depth. This world was unfamiliar to him, and he had difficulty piecing it all together.<br></i><br>Peacefully tending his garden in the countryside, Maigret is called upon to investigate a rich family with skeletons in their cupboard - and finds himself confronted by lies, snobbery and malice.<br><br>This novel has been published in a previous translation as <i>Maigret in Retirement</i>.<br><br>'His artistry is supreme' John Banville<br><br>'One of the greatest writers of the twentieth century . . . Simenon was unequalled at making us look inside, though the ability was masked by his brilliance at absorbing us obsessively in his stories' <i>Guardian</i></p>