Making Music in Selznick's Hollywood
English


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About The Book

Through the rise and fall of the Hollywood studio system David O. Selznick reigned as Hollywood's preeminent producer. His reputation depended in large part on music. The orchestral cacophony of <em>King Kong</em> the pulsing electronic sonorities of <em>Spellbound</em> and the Tara theme from <em>Gone with the</em> <em>Wind</em> made music a distinguishing feature of the Selznick experience. By flaunting music's role in film and overseeing its distribution through sheet music concerts radio broadcasts and soundtrack albums Selznick cultivated a fascination with film scores. But he did not do it alone. <p/>In <em>Making Music in Selznick's Hollywood</em> Nathan Platte brings to light the men and women whose work sounds throughout Selznick's many films. The cast includes familiar composers like Max Steiner Franz Waxman and Dimitri Tiomkin but extends to overlooked contributors including music editor Audray Granville orchestrator Hugo Friedhofer harpist Louise Klos choral director Jester Hairston publicist Ted Wick and many others. Novelists studio writers and directors like Alfred Hitchcock also influenced the soundscapes of Selznick's films. Whether working with the producer directly or managing his presence from a distance all had to reckon with Selznick's musical preoccupations. <p/>Rarely was it easy. Rewritten scores fired personnel and other skirmishes reflect the troubles-and uneven compromises-that shaped music for films like <em>Gone with the Wind Duel in the Sun</em> and <em>Rebecca</em>. Even Selznick anticipated that such problems would go down in the history of Hollywood as the last wild fling of people who really fiddled-and how -while Hollywood burned. Drawing on extensive archival research Platte recounts those stories here tracing Selznick's musical labors during the silent era through his work at the major studios and his culminating efforts at Selznick International Pictures. Taken together Selznick's films provide a sweeping vista of the relationships among musicians and filmmakers that defined the Hollywood sound.<br>
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