Masculine Pregnancies

<p><b>Examines literary depictions of mannish pregnant women and metaphors of male pregnancy to reframe the relationship between creativity and gender in modernism.</b></p><p>Who is taken seriously as an artist? What does gender have to do with it? Is there a relationship between artistic creation and physical procreation? In <i>Masculine Pregnancies</i> Aimee Armande Wilson argues that modernist writers used depictions of mannish pregnant women and metaphors of male pregnancy to answer these questions. The book places masculine pregnancies in works by Djuna Barnes Willa Cather William Faulkner and Ezra Pound in the context of interwar debates about eugenics immigration midwifery and sexology in order to redefine the relationship between creativity and gender in modernism. Attending to recent developments in queer theory Wilson challenges the critical assumption that figures of masculine pregnancy necessarily reinforce oppressive norms. The book's first half shows how some writers indeed used such figures to delegitimize artists who were not white male and heterosexual. The second half then shows how others used masculine pregnancies to extend legitimacy to mannish women dark-skinned immigrants and their (pro)creations-and did so a century before the current boom in queer pregnancy narratives.</p>